The Best Books of He gives examples of where and how fat deposits develop on a figure. If you are a budding artist interested in learning about various aspects of figure drawing including anatomy, this book may be a little intimidating. You can dip in and out of this book, continuously using it when needed to learn about body parts that you are currently struggling with. Hi, I totally agree with you that this could be the perfect anatomy book if only the texts were clearer. This book goes beyond the essentials that an artist needs to know. Lists with This Book.

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This is the first English translation of the complete work. The tome contains over 12, drawings, diagrams and photographs covering all aspects of the human form.

Structure, function and anatomical processes are all described in detail. It is a systematic approach to learning anatomy offering steps and exercises to reveal practical development for the artist. It provides an in-depth look at the subject. It talks about measuring processes, developmental stage and proportion3-dimension and space, poses and all factors that have to be taken into account when drawing. The developmental sequences, for example, of knee construction are fascinating.

The highly detailed instruction is probably beyond the Sunday painter, but for any serious painter of the human form, this is the best book I have seen.

Illustrated with fine examples of well-known artists such as Michelangelo, Matisse and Durer. Gottfried Bammes does a remarkable job of explaining every aspect of both anatomy and the practice of drawing it in a way that simplifies without reduction to absurdity.

Anatomy, rather like perspective, is complex and comes with the additional hazard that, when writing about art, any author needs to avoid something that looks like a medical textbook.

That Gottfried avoids this is, in large part, down to the quality of the drawings he uses to illustrate everything. He has a lightness of touch that, while it might be out of place in a hospital lecture theatre, is more than adequate in a drawing studio.

The result is not only manageable, but looks and feels manageable. On top of this, the way the book is structured makes each section a unit in its own right; you can concentrate on the room without feeling weighed down by the rest of the building, large and ornate though it is. It has now been translated into english for the first time and contains over photographs, diagrams and drawings within its pages.

The nine editions of this book in German are a measure of its success and impact and this - the tenth and the first in English - is very welcome. The bulk of the book consists of six chapters devoted to regional anatomy, each integrating descriptions of the structural components in relation to the dynamics of function and to artistic expression. The final section of each chapter gives relevant examples from works of art. Throughout, the emphasis is on providing the teacher with progressive methods of instructing the student to acquire an integrated approach that combines art and science.

Three further chapters address more general issues: bodily proportions in relation to age and gender; the dynamics and bearing of the human body; and the "building blocks" of the body, namely, the skeleton, muscles, and skin and fat.

The English text sometimes betrays its origin but any weakness in translation is fully compensated for by the wonderful range of more than 1, illustrations which speak a universal language. The anatomical drawings are notable for both their clarity and attractiveness. There are also sketches and diagrams by the artist-author and photographs of nude models that cover a wide variety of ages and body-forms.

The diagrams of silhouetted figures and limbs in action, with the skeleton and muscle delineated, are particularly informative. The medical historian will be interested in the introductory chapter, showing how Renaissance humanism called for more than the simple rendering of the human form, which had previously satisfied the demands of mediaeval religious painting. Leonardo da Vinci, though not the first anatomist, launched the study of anatomy as an artistic, dynamic process.

Vesalius set new standards for scientific observation, discrediting Galen, and, with Stephan von Calcar, reached new heights of artistic anatomical representation This volume can be warmly recommended as an essential reference book for professional figurative artists and illustrators, for teachers of life drawing, and for keen students of the art. The secret I think is that by giving himself space Gottfried Bammes does have to cram everything in together.

Each drawing includes just enough information to illustrate the point in hand and no more. All the skeletal and muscle structure is there, but in artistic, rather than medical detail.

Photographs, block diagrams and classical examples serve to enhance the experience. This is a thorough course and not really for the beginner, but niether do nyou need to be a specialist to appreciate it. Drawing from life is in revival today, popularly pursued as a fundamental discipline, and wealth of illustration here in every aspect of configuration of pose analysed graphically, photographically, by muscle, along with examples of master drawings and technique makes compulsive reading for anyone so occupied.

He was a prolific writer and artist, considered to be a master of life drawing and anatomy and produced numerous books on the subject in his lifetime. He died in


The Complete Guide to Anatomy for Artists & Illustrators

Having undergone numerous editions since it was first published and still much in demand today, this, the first ever English translation of the complete work, has been long awaited. Based on the most recent German edition and faithful to the original, it contains over photographs, diagrams and drawings, including work by the author himself, and spans over pages. Now, both new and experienced English-speaking artists and illustrators can benefit from the vast body of knowledge accumulated and lovingly presented by Professor Bammes in his acclaimed work. This comprehensive guide begins with the history of human anatomy for artists, and its influence on the development of the artistic visualisation of the body. Bammes goes on to explore in depth the human skeleton and musculature; the proportions of the body; the static and dynamic laws of posture and movement; body language; and the interrelationships of the various elements of the body. Through his systematic and practical approach to teaching, the reader will acquire an in-depth knowledge of anatomy and the ways in which it can be used to express the human form in art.



Return to Book Page. Following lessons on skeletal and anatomical details, the student learns to create accurate, lively portrayals of horses, cows, dogs, lions, gorillas, bears, and other engaging creatures. To see what your friends thought of this book, please sign up. Amazon Rapids Fun stories for kids on the go. There are no discussion topics on this book yet. No trivia or quizzes yet. Pen, Pencil, Crayon and Charcoal.


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An understanding of human form is essential for artists to be able to express themselves with the figure. Anatomy makes the figure. Human Anatomy for Artists: The Elements of Form is the definitive analytical work on the anatomy of the human figure. No longer will working artists have to search high and low to find the information they need. In this, the most up-to-date and fully illustrated guide available, Eliot Goldfinger--sculptor, illustrator, scientific model-maker, and lecturer on anatomy--presents a single, all-inclusive reference to human form, capturing everything artists need in one convenient volume. Five years in the making, and featuring hundreds of photos and illustrations, this guide offers more views of each bone and muscle than any other book ever published: every structure that creates or influences surface form is individually illustrated in clear, carefully lit photographs and meticulous drawings.


The Artist's Guide to Human Anatomy


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